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Friday, October 1, 2010

Healing

Don't be discouraged

Joy comes in the Morning

Know that God is right

Stand still and look up

God is going to show up

He is standing by


There is healing for your sorrow

Healing for your pain

Healing for your spirit

There's shelter from the rain


Lord send the healing

For this we know

There is balm in your word

For there is balm in your word

There is balm in your word

To heal the soul


I used to wish that i could rewrite history

I used to dream that each mistake could be erased

Then i could just pretend

I never knew me back then


I used to pray that you would take this shame away

Hide all the evidence of who i've been

But it's the memory of the place you brought me from

That keeps me on my knees and even though i'm free


Heal the wound but leave the scar

A reminder of how merciful you are

I am broken, torn apart, take the pieces of this heart

And heal the wound but leave the scar


I have not lived a life that boasts of anything

I don't take pride in what i bring

But i'll build an altar with the rubble that you've found me in

And every stone will sing of what you can redeem


Don't let me forget

Everything you've done for me

Don't let me forget

The beauty in the suffering


Thursday, September 30, 2010

You Are Loved

*This is a new song i wrote about Jesus's love for everyone. Jesus will NEVER EVER stop loving you no matter how many mistakes you make in life. His love is unconditional. Every one of us is sinners. Before we were even born He knew that we would ALL be sinners.... that didn't make him love us any less. His love is unchanging.*


Don't give up

It's just the weight of the world

When your heart's heavy

I will lift it for you


Don't give up

Because you want to be heard

If silence keeps you

I will break it for you

Everyone wants to be understood


(Chorus)

I love you

More than anything

Don't give up

Because you are loved


Well, i can hear you

Everybody wants to be loved

Don't give up

because you are loved

Don't give up

It's just the hurt that you hide


When you're lost inside

I'll be there to find you

Don't give up

Because you want to burn bright


If darkness blinds you

I will shine to guide you

Everyone wants to be understood


(Chorus)

I love you

More than anything

Don't give up

Because you are loved


Tuesday, September 28, 2010

Hold On To Jesus

As i step to the edge

Beyond the shadow of a doubt

With my conscience beating

Like the pulse of a drum

That hammers on and on

Until i reach the break of day

As the sun beats down

It has my conscience beating

The sound in my ear

The will to persevere

As i reach the break of day

(Chorus)

When you lost all hope and excuses

All the cheapskates and the abusers

Nothing's left to cling onto

You've got to hold on to Jesus

A cry of hope

A plea for peace

And my conscience beating

It's not want i want for

It's all that i need

To reach the break of day

So i run to the edge

Beyond the shadow of a doubt

With my conscience bleeding

Here lies the truth

The lost treasures of my youth

As i hold on to the break of day

(Chorus)

When you lost all hope and excuses

All the cheapskates and the abusers

Nothing's left to cling onto

You've got to hold on to Jesus

I've got scattered pictures

Lying on my bedroom floor

Reminds me of the times we shared

Makes me wish that you were here

Now it seems i've forgotten my purpose in life

Guess i've learned from my mistakes

Open that past and present

And the future too

It's all i've got and i'm giving it up to you

Loose ends tied in knots

Leaving a lump down in my throat

Gagging on a souvenir

Lodged to fill another year

(Chorus)

When you lost all hope and excuses

All the cheapskates and the abusers

Nothing's left to cling onto

You've got to hold on to Jesus

Drag it on and on

Until my skin is ripped to shreds

Leaving myself open wide

Living out a sacrifice

(Chorus)

When you lost all hope and excuses

All the cheapskates and the abusers

Nothing's left to cling onto

You've got to hold on to Jesus


Thursday, June 10, 2010

It's a God thing.

As many of my friends know, i have been involved in the music scene since i was about 8 years old. It all started in my third grade music class when our teacher ordered us recorders. Back then i didn't really care about music. All i really cared about back then was video games and baseball. Anyway, the first time i blew a note into my recorder i was like "Wow! this is really cool! i may actually be pretty good at this!" I practiced my little recorder day and night, sitting in my room figuring out different tunes by ear and figuring out how the notes fit together to create different scales. Over time i started using these scales to create my own tunes and i also started to help the other students in my music class learn how to play. I absolutely loved my little plastic recorder, and carried it with me everywhere and played it all throughout elementary school. (I still have it)
When middle school came around i discovered the magical world of woodwinds and brass instruments. My older brothers friend (Jeff) was a tenor saxophone player in the highschool marching band and i always thought that was the coolest thing ever! My mom asked me if i would like to play an instrument in the concert band for my school and she asked me what instrument i wanted to play. I told her tenor saxophone without any hesitation. I somehow knew that it was the perfect instrument. So my mom and dad went out and bought me an inexpensive Yamaha Tenor saxophone and it clicked just like that. It was like me and the saxophone were one. I remember getting first chair in sixth, seventh and eighth grade. In eighth grade i took part in a competition called Solo And Ensemble where i had to play a VERY intricate song all by myself. I ended up getting a superior rating (the highest you can get) and a medal! (which i still have and am very proud of) I thought of myself as the next Kenny G.
Then highschool came. I was so nervous because the beginning of highschool meant the beginning of marching band (marching around a football field every day in 90+ degree heat, rain or shine. I remember having a practice where we kept marching even though there was a tornado warning!) Anyway, being the freshman that i was, i was so intimidated by all the junior and senior saxophone players that had been playing for MANY years. They were beasts! They were great at playing sheet music, BUT they didn't know their scales. This is what put me into first chair my freshman year (above all the seniors!) Every week we would play at a football game or we would have a marching band competition to play at. The most fun place i have ever played a competition at would have to be the GeorgiaDome. (Yes... i have marched on that field in front of a packed house for Nationals) I was so proud to be first chair tenor saxophone for Summerville Highschool. One of the best marching bands in the country!
When i was 16 i decided to call it quits with saxophone simply because i was bored with it. (i still have it though) I remember my mom getting a coupon for a free guitar lesson at Creative Spark across the street from Seacoast. She asked me if i would like to give it a try and i agreed to try it ONCE because i thought that guitar wasn't really a good instrument for me. I went to my first lesson with an old classical guitar that we had laying around. My instructor (Josh) sat down with me and showed me the basic chords and showed me how to strum. "This isn't all that bad." i thought. "If i can learn saxophone i can surely learn guitar." So i left my first lesson and went home and practiced everything he tought me. I decided to come back a week later and continue with the lessons. He would ask me what song i wanted to learn and he would show me how to play the lead parts for that song (thus my extended mental library of classic rock and punk rock riffs).
I remember after a while that i was unhappy just playing parts from different "secular" song. I was sitting at church one day watching Martin Chalk and Keith Bruce play guitar durring the service and i thought to myself... "This music is so boring... yet they look so happy playing it. Why are they so happy?" So i asked Martin for some of his sheet music so i could learn how to play it. I practiced and practiced and practiced until i had all the guitar parts down then auditioned for the church's middleschool service called Nitro and made it! I would be onstage every weekend just rocking out having a good time.
A few years later i remember being onstage just shredding and soloing and showing off. i thought i was the coolest dude around! I was unstoppable! Well, i remember being onstage playing durring one of our slower songs and looking out into the audience and seeing every hand raised in the air and everyone singing the song and really getting into it. Some people were even crying! This sent the biggest shiver up my spine. I had no idea what was happening! Either every person in the room was loony or there was some sort of presence in the room, something that i couldn't see... something much bigger than me. All of a sudden i felt a flood of emotion and comfort come over me. Was this the kind of happiness that Martin and Keith were experiencing? It was all so new to me.
Now i am 22 and a guitarist for the James Island Campus, Dream Center, Longpoint campus and a few other churches on the side. Just recently i was promoted to the role of Worship Coordinator/Leader for the Dream Center's Celebrate Recovery service. Over the years i have learned that it was not ever about me or the music. It was not about being the best guitarist or the coolest.It's all about HIM. It's about using my talents that God gave me so i can return the favor the best i can. i am not perfect or the best musician but God doesn't care. "Make a joyful noise". I give all the glory to Him and none to myself. After all, He is the one that created me and decided to put music in my blood. I find this to be the greatest gift of all... i can use my gift to lead other people to know God. I have seen God work through me and my music many times and each time it brings a huge smile to my face just knowing that of all people, he chose ME to be his instrument. God created ME to be a worship leader! i couldn't ask for anything more. I absolutely love what i do. It brings me such great joy, i would not trade it for ANYTHING in the whole world.
A lot of the people i work with or see outside of church ask me why i do what i do with worship and all. I tell them "It makes me happy". They would always ask me "Why?" and i'd tell them: "IT'S A GOD THING."

"Sing joyfully to the Lord, you righteous;
it is fitting for the upright to praise Him.
Praise the Lord with the harp;
make music to him on the
ten stringed lyre.
Sing to him a new song;
play skillfully, and shout for joy.
For the word of the Lord is right and true;
he is faithful in all he does."

Psalm 33:1-4

Monday, May 10, 2010

Artist Review: Mutemath

Mutemath is a Grammy Award nominated American rock band from New Orleans that formed in 2003. Their music consists of many elements and has been described as everything from electro-alternative-rock to psychedelic-gospel to experimental-pop which give their music a futuristic flair. The group consists of Paul Meany on keyboards & vocals; Darren King on drums, samples, and programming; Greg Hill on guitar; and Roy Mitchell-Cárdenas on bass, but they often perform on any mixture or variation of these instruments.


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History

Formation

Mutemath started in 2001 as a long distance collaboration between Paul Meany in New Orleans, Louisiana and Darren King in Springfield, Missouri. The two had known each other from their work together in Meany's previous band Earthsuit. Occasionally Paul would receive instrumental demo CDs from Darren. Fairly impressed with his efforts, Paul contacted Darren and asked if he could mess with the demos a bit, adding some ideas of his own. Darren obliged and the two would set in motion a sort of songwriting ping-pong match that would carry on for several months until Darren was asked to fill in as drummer for Earthsuit as the experimental Christian-rock band began to quickly dissolve. After Earthsuit finally disbanded, King moved to New Orleans and began to talk of a possible collaboration with Meany. The two worked on demos and played a handful of shows under the moniker "MATH".

With the recruiting of guitarist Greg Hill, the trio worked in their New Orleans home studio writing and recording a whole new collection of songs. Paul immediately played the demos for longtime friend and producer Tedd T, who fell in love at first listen. The trio continued to work on demos with Tedd T for a possible EP while playing shows with another Earthsuit member in Adam LaClave's art-rock group Macrosick.

Reset EP, released September 2004.

]Reset EP

After months of considering different options for their new venture, the group decided to do things on their own and officially changed their name to "Mutemath" after discovering that "Math" was already being used by another group. Meany recruited Tedd T and lawyer and former Earthsuit manager Kevin Kookogey to form Teleprompt Records as a way to independently control Mutemath releases. Teleprompt entered into a developmental-deal agreement with Warner Music Group in 2004, releasing Mutemath's debut Reset EP that fall. The band left Macrosick, recruited bass player Roy Mitchell-Cardenas and began touring to promote the release, using popular social networking sites like MySpace to spread word of the group. As their fan base grew, it began to see an increasing number of shows sell out by the Spring of 2005. By the fall of that year, they joined The Music is Much Too Loud Tour opening for Mae and Circa Survive where they chronicled their shows and updated their video blogs on a nightly basis gradually attracting more and more people to the Mutemath ground-swell. The band sold over 30,000 copies of Reset EP before the album went out of print in 2006.

Mutemath, released September 2006. The first run of the album also included a bonus live EP, Live at the El Rey.

]Mutemath

For us, we just try to keep it simple. We're obviously a band; that's really all we ever wanted to be from the very beginning without catering to any particular genre or political or religious agenda. We just want to make music with no barriers.

Paul Meany - Boise Weekly - April 11, 2007

In January 2006, the band set out on a tour in support of their self-titled debut album. It was independently released in response to Warner Music Group's indecision on what to do with Mutemath resulting in a marketing stalemate and the threat of the whole project getting shelved. So by late 2005, Teleprompt filed suit against Warner Music requesting Mutemath to be released from their contract while Teleprompt would proceed to promote and sell Mutemath’s self-titled debut on its own.

Cover of the live DVDFlesh and Bones Electric Fun, released March 2007.

The special edition of the album was only available as a "tour-only" release until it hit the Internet on Teleprompt's online store, selling more than 10,000 copies in its first month. Mutemath landed on the covers of Billboard and Pollstar being featured in Alternative Press, Paste, and Spin as well as on the MTV News program 'You Hear It First'. The group continued to tour vigorously, playing shows to crowds of thousands at festivals such asBonnaroo, Lollapalooza, Van's Warped Tour, V Festival, CMJ Music Marathon in New York City, and Voodoo Music Experience in their hometown of New Orleans.

After months of legal wrangling with parent label Warner Bros. Records, Teleprompt settled litigation out of court in August 2006 with a re-negotiated contract with Warner.

WBR re-released the band's debut album Mutemath on September 26, 2006. The fully remastered album features reworked tracks from their Reset EP and a bonus limited-edition live EP. The album debuted at #17 on Billboard's Top Heatseekers chart.

The band returned to the road in early 2007 with opening dates for The Fray and Wolfmother in various cities and a brief headlining tour in Europe. Flesh And Bones Electric Fun, an exclusive live DVD was released on March 20, 2007 with an accompanying 43-city North American tour that ran through the first of May.

The band also received some unexpected publicity on American Idol when contestant Chris Sligh sang "Typical" on the show's Top 24 episode.

]"Typical"

Mutemath's first music video, for "Typical", premiered on YouTube on March 21, 2007. The video was directed by Israel Anthem and features the band performing the song backwards. The video made it on the New York Post Hot List and registered more than 100,000 views in less than four days. It took three weeks for Mutemath to learn their parts backwards. When asked whether singing backwards or drumming backwards was more difficult, Paul Meany answered, "Darren had it the hardest."

"Typical" was also released as Mutemath's first radio single on April 10, 2007. As of late June, the single started receiving major airplay in Modern Rock quickly rising up the Mediabase Alternative chart jumping from #115 to #65 and was also the second most added song on Alternative stations the week of June 13, 2007. The single then jumped to #36 the first week of August 2007, a position it held for six weeks before it moved to a peak position to #35.

"Typical" was featured on a television commercial for the Discovery Channel, featuring clips from shows like "Man vs. Wild," "Deadliest Catch," and "Dirty Jobs.

The group made limited appearances at various summer festivals in mid-2007 in order to work on writing and recording material for their forthcoming sophomore record. The band's debut performance at the BonnarooMusic Festival coincided with their second appearance on The Late Late Show with Craig Ferguson.

The group appeared on Transformers: The Album, released on July 3, 2007, performing the "Transformers Theme" in conjunction with the live-action film directed by Michael Bay (although the song did not appear in the film) and made a television appearance on The Late Show with David Letterman on July 17. The group was in the running for MTV2 and Virgin Mobile's Book The Band vote to open for the US Virgin Festival inBaltimore, Maryland in August (Aiden won the Book The Band contest).

Mutemath's debut album reappeared on Billboard's Top Heatseekers Chart on August 4, 2007 at #28, while the single "Typical" debuted at #39 on Billboard's US Modern Rock Chart the same week.

The band hit the road in support of the single in September 2007 with support from Eisley, which included two television appearances. The first was September 19, their second appearance on Jimmy Kimmel Live. The show aired a taped performance of the band recreating the video the single "Typical" that was taped in front of the studio audience and then played back in reverse for the broadcast. Their second television appearance was their debut on NBC's Late Night with Conan O'Brien performing "Break the Same" for the first time on television on October 17.

On November 12, 2007 Atlantic Records announced that the band would join Alanis Morissette on Matchbox Twenty's Exile In America Tour which kicked off in Hollywood, FL on January 25, 2008 and ran through mid-March. On December 6, 2007, the group was nominated for a Grammy Award for their short form music video for "Typical". "Control", the second and final radio single from Mutemath was released January 15, 2008. The music video for the single was filmed in Nashville in January, but its distribution was halted due to copyright issues in regards to a previously released clip from a European group. The band also released the companion album to their 2007 live dvd, Flesh And Bones Electric Fun: Mutemath Live, via iTunes on January 29, 2008. "Typical" was added as a downloadable song for the Rock Band series in early 2009.

The album cover for the single "Spotlight" released in 2009.

]Spotlight EP

In November 2008 the group released "Spotlight" on the Twilight film soundtrack album, to favorable reviews. The song was the first single from Armistice and was released digitally February 10, 2009 on Spotlight EP which included B side tracks and a remix of the song by Son Lux. The single reached #1 on the Billboard Hot Singles chart the week of February 28, 2008 and kept the spot for two consecutive weeks. The single dipped to #10 before making its last appearance on the chart at #3 the week of April 11, 2009. The group performed "Spotlight" for the first time on The Tonight Show on January 15, 2009, featuring guest appearances from LaClave and Allen from Club of the Sons and Jeremy Larson, all of whom have worked on the upcoming album. The EP was also released on limited edition vinyl on March 24, 2009.

The album cover for the album Armistice released in 2009.

]Armistice

Our goal is to embarrass the first record, that's what we're trying to do here, and I think we're on point to pull it off.

Paul Meany - OC Register - March 13, 2008

The group went to work writing and recording their second full length record in their home studio in New Orleans. The album, entitled Armistice, was released in the United States on Teleprompt Records/Warner Bros. Records on August 18, 2009.

During the recording of the album, short videos have been posted to the band's Youtube profile. These videos document the work going on in the studio, including street interviews where New Orleans locals are shown samples of the album (which cannot be heard in the video), recording their reactions. Any clips of actual music from the new album is presented in such a way that it only hints at what the album will eventually sound like.

On April 4, 2008, Goodwin Films announced they were working on a documentary film about the making of Mutemath's new record. No further details have been announced regarding the release of the film.

According to the biography, the group had almost called it quits during the writing of the album. The band had written about 16 songs in the 3 years spent on the road touring and had expected to cut the list to 10 after settling down to record in their New Orleans home studio. Weeks of working with old ideas and bickering between the band mates led the group to begin searching for an outside producer to help focus the group and stabilize the tension. During this search, the group met producer Dennis Herring and after hearing his input, decided to scrap all the previously written material and start from scratch, bringing Herring on board as producer of the album. The band worked over the next three months writing almost 20 new songs that would shape Armistice. The band then spent time at Herring's studio in Oxford, Mississippi recording the final touches of the album.

On January 14, 2009, King said in an interview that after a break for the holidays, they would "get back to recording in hopes of having everything done in March so that the album can come out in August. It has taken way longer than we would have ever imagined but we’re just not done with it yet." Additionally, he mentioned that the album was Mutemath's first album which involved collaboration among all four members of the band.

The title for the sophomore record was confirmed as Armistice on May 27, 2009 in an interview on InsideBayArea.com and then confirmed on the same day on the Mutemath forums Teleprompt Records and Warner Bros. Records made a joint press release on June 9, 2009 announcing the details of the album release including the name Armistice, album cover, and track listing, as well as the official US release date of August 18.

Armistice debuted at no. 18 on the Billboard 200, with over 18,000 units sold in the first week. The album also charted at no. 4 on Billboard Rock charts and no. 3 on the Billboard Digital Albums and Billboard Alternative Albums charts the same week.

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